Steppenwolf Theatre Company presents the world premiere production of La Ruta by acclaimed Chicago playwright Isaac Gomez, directed by ensemble member Sandra Marquez and featuring ensemble member Karen Rodriguez along with an eight-member all female Latinx cast. Inspired by the lives of Mexican women who live, work—and disappear—along a Ciudad Juárez bus route, La Ruta weaves live music through a story of resilience in the wake of loss.
La Ruta begins previews December 13, 2018 and the production runs through January 27, 2019 in the Upstairs Theatre (1650 N Halsted St). Press performances are Thursday, December 20, 2018 at 7pm and Friday, December 21 at 7:30pm; opening night is Thursday, December 20. Single tickets ($20-$89) go on sale this Friday, October 19 at 11am through Audience Services at 312-335-1650 or steppenwolf.org.
To the U.S.-owned factories in Ciudad Juárez, Mexico, La Ruta is just a bus. But to the women who live, work and often disappear along the route, it's so much more than that. Inspired by real testimonies, and using live music to evoke factory work and protest marches, La Ruta is a visceral unearthing of secrets buried in the desert and a celebration of the Mexican women who stand resiliently in the wake of loss.
Playwright Isaac Gomez shares, “Every single woman in this play is based on a real person. And although some names have been changed for their protection, the violence they face and their resilience have not. I made a promise to these women that their stories would be heard by as many people as humanly possible, and through this world premiere at Steppenwolf, we are one step closer to keeping that promise -- to bear witness and carry their stories forward. As a queer Mexicano from the border, I owe my entire existence to Mexican women. This play is for them. Para todas. Para siempre.”
The La Ruta cast features ensemble member Karen Rodriguez (Ivonne) with Charin Alvarez (Marisela); Cher Alvarez (Brenda); Laura Crotte (Desamaya); Sandra Delgado (Yoli); Mari Marroquin (Zaide); and Alice da Cunha and Isabella Gerasole (Women of Juarez).
Isaac Gomez is a Chicago-based playwright, originally from El Paso, Texas/Ciudad Juárez, Mexico. His plays include La Ruta (developed at Steppenwolf Theatre, Primary Stages, Oregon Shakespeare Festival, Goodman Theatre, and Pivot Arts); Wally World (Sideshow Theater Company); The Way She Spoke: A docu-mythologia (Greenhouse Theater Center, 2016; The VORTEX, 2018); and The Displaced (Haven Theatre, 2018); among others. He is the recipient of the 2017 Jeffry Melnick New Playwright Award at Primary Stages, an inaugural 3Arts “Make A Wave” grantee, an Elizabeth George Commissioned Playwright at South Coast Repertory, a 2017-18 Goodman Theatre’s Playwrights Unit member, Co-Creative Director at the Alliance of Latinx Theatre, a Chicago Dramatists Resident Playwright, an Artistic Associate with Victory Gardens Theater, Ensemble Member with Teatro Vista, Artistic Associate with Pivot Arts, a steering committee member of the Latinx Theatre Commons, and Professional Lecturer at The Theatre School at DePaul University.
Sandra Marquez joined the Steppenwolf ensemble in spring 2016 and most recently appeared in The Roommate last summer and will star in A Doll’s House, Part 2 this January. Other Steppenwolf credits include Mary Page Marlowe, The Motherf**ker with the Hat, A Streetcar Named Desire, Sonia Flew, One Arm and an SYA show. At Teatro Vista, where she is a longtime company member, she directed Fade, My Mañana Comes, Breakfast Lunch & Dinner and Our Lady of the Underpass and has acted in numerous productions, including A View from the Bridge for which she received a Jeff Award. She completed a three-year arc playing Clytemnestra in what was billed as Court Theater’s Iphigenia Cycle (Iphigenia at Aulis, Electra and Agamemnon). Film and television credits include Boss, Empire, Chicago Med, Chicago Justice and Timer. Marquez is on the theater faculty at Northwestern University.
La Ruta production team includes Regina García (scenic design), Christine Pascual (costume design), Jesse Klug (lighting design), Mikhail Fiksel (sound design), Rasean Davonte Johnson (projection design), Zacbe Pichardo (musical direction), Andra Velis Simon (vocal direction), Polly Hubbard (dramaturg), Gaby Labotka (fight choreographer) and Gigi Buffington (company voice & text coach). Additional credits include Christine Freeburg (stage manager), Amanda Landis (assistant stage manager), JC Clementz (casting director) and Greta Honold and Patrick Zakem (artistic producers).
Ticket and Production Info
Dates: December 13, 2018 – January 27, 2019
Previews: December 13 – 19, 2018
Press Performances: Thursday, December 20 at 7pm and Friday, December 21 at 7:30pm
Opening: Thursday, December 20, 2018 at 7pm
Regular Run: December 21, 2018 – January 27, 2019
American Sign Language Interpretation: Sunday, January 6 at 7:30pm
Open Captioning: Thursday, January 10 at 7:30pm and Saturday, January 26 at 3pm
Audio Description and Touch Tour: Sunday, January 13 at 1:30pm
Curtain Times: Tuesday – Friday at 7:30pm, Saturdays and Sundays at 3pm and 7:30pm
Previews: $20 – $76, Regular Run: $20 – $89. Prices subject to change
20 for $20: Twenty $20 tickets are available for subscription shows on the day of the performance at 11am (Mon – Sat) and 1pm (Sun), by phone only at 312-335-1650. Limit 2 per person.
Rush Tickets: Half-price rush tickets are available one hour before each show.
Student Discounts: Limited $15 student tickets are available online. (Limit 2 tickets. Must present a valid student ID for each ticket). steppenwolf.org/students.
Group Tickets: All groups of 10 or more receive a discounted rate for any performance.
Black Card Memberships are for audiences interested in extreme flexibility. Cards include six tickets for use any time, for any production including the LookOut Series. The tickets are valid for one year with the option to add additional tickets as needed. Perks include easy and free exchanges, access to seats before the general public, savings on single ticket prices and bar and restaurant discounts for pre- and post-show socializing.
Red Card Memberships are available for theatergoers under 30. More info at steppenwolf.org/memberships
For tickets or more information, contact Audience Services (1650 N Halsted St) at 312-335-1650 or steppenwolf.org.
Steppenwolf is located at 1650 N Halsted St near all forms of public transportation, bike racks and Divvy bike stands. The parking facility ($12 or $14, cash or card) is located just south of our theater at 1624 N Halsted. Valet parking service ($14 cash) is available directly in front of the main entrance starting at 5pm on weeknights, 1pm on weekends and at 12noon before Wednesday matinees. Limited street and lot parking are also available. For last minute questions and concerns, patrons can call the Steppenwolf Parking Hotline at 312.335.1774.
Committed to making the Steppenwolf experience accessible to everyone, performances featuring American Sign Language Interpretation, Open Captioning and Audio Description are offered during the run of each play. Assistive listening devices and large-print programs are available for every performance and the Downstairs and 1700 Theatres are each equipped with an induction hearing loop. All theaters feature wheelchair accessible seating and restrooms, and Front Bar features a push-button entrance, all-gender restrooms and accessible counter and table spaces.
United Airlines is the Official and Exclusive Airline of Steppenwolf.
Front Bar: Coffee and Drinks
Connected to the main lobby is Steppenwolf’s own Front Bar: Coffee and Drinks, offering a warm, creative space to grab a drink, have a bite, or meet up with friends and collaborators, day or night. Open Tuesdays – Sundays from 8am to midnight, Front Bar serves artisanal coffee and espresso is provided by La Colombe and food prepared by Goddess and Grocer. The menu focuses on fresh, accessible fare, featuring grab-and-go salads and sandwiches for lunch and adding shareable small plates and desserts for evening and post show service. front-bar.com.
Steppenwolf Theatre Company is the nation’s premier ensemble theater. Formed by a collective of actors in 1976, the ensemble represents a remarkable cross-section of actors, directors and playwrights. Thrilling and powerful productions from Balm in Gilead to August: Osage County and Pass Over—and accolades that include the National Medal of Arts and 12 Tony Awards—have made the theater legendary. Steppenwolf produces hundreds of performances and events annually in its three spaces: the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat 1700 Theatre. Artistic programing includes a seven-play season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a multi-genre performances series. Education initiatives include the nationally recognized work of Steppenwolf for Young Adults, which engages 15,000 participants annually from Chicago’s diverse communities; the esteemed School at Steppenwolf; and Professional Leadership Programs for arts administration training. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Anna D. Shapiro is the Artistic Director and David Schmitz is the Executive Director. Eric Lefkofsky is Chair of Steppenwolf’s Board of Trustees. For additional information, visit steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.
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