Shattered Globe Theatre is pleased to announce its 2018-19 Season, kicking off this fall with Chris Hannan’s new stage adaptation of Fyodor Dostoyevsky’s masterful novel CRIME AND PUNISHMENT. SGT Ensemble Member Louis Contey* directs an ensemble of eleven actors in a rich interpretation of one of the world’s great literary treasures.
Next winter, SGT partners with Theater Wit to co-produce Will Eno’s heartbreaking new comedy THE REALISTIC JONESES, directed by Theater Wit Artistic Director Jeremy Wechsler, who has directed the Chicago premieres of four of Eno’s plays. Eno’s breakout Broadway work of unspoken love and possibility features the SGT Ensemble.
The season concludes next spring with Kate Fodor’s drama HANNAH AND MARTIN. SGT Ensemble Member Louis Contey* also directs this World War II drama in which a passionate love affair is abruptly interrupted by political realities.
The full 2018-19 Season will be presented at Shattered Globe’s resident home, Theater Wit, 1229 W. Belmont Ave. in Chicago. SGT’s VIP Season Traveler Memberships are on sale on at www.shatteredglobe.org. Single tickets for CRIME AND PUNISHMENT go on sale Friday, July 6 at www.shatteredglobe.org, by calling (773) 975-8150 or in person at the Theater Wit Box Office. Discounted group sales for all three productions are currently available at email@example.com or by calling (773) 770-0333.
Shattered Globe Theatre’s 2018-19 Season includes:
September 6 – October 20, 2018
CRIME AND PUNISHMENT
Adapted for the stage by Chris Hannan
Based on the novel by Fyodor Dostoyevsky
Directed SGT Ensemble Member Louis Contey*
Press opening: Wednesday, September 12 at 8 pm
One of the great stories of world literature comes to life in this fresh, theatrical adaptation featuring an ensemble of 11 actors as chorus and conscience.
As Raskolnikov plays a dangerous cat and mouse game with a mercurial investigating magistrate, a psychological thriller unspools and probes how far humanity might go when driven by disillusionment and whether any crime can be justified by a higher purpose.
January 11 – March 9, 2019
THE REALISTIC JONESES – Chicago Premiere!
By Will Eno
Directed by Jeremy Wechsler
Press opening: Monday, January 21, 2019 at 7 pm
A bucolic evening, which begins in a suburban backyard, evolves into a funny, intimate and profound meditation on life. The four Joneses attempt to muddle through the strange and amazing moments of each day knowing that “talking with someone can make you feel better,” but fearing that actual communication may elude them in the end. THE REALISTIC JONESES was recently named one of the “25 Best Plays since Angels in America” by the New York Times.
April 11 – May 25, 2019
HANNAH AND MARTIN
By Kate Fodor
Directed SGT Ensemble Member Louis Contey*
Based on the tumultuous love affair between Jewish political theorist Hannah Arendt and renowned philosopher Martin Heidegger, this soul-stirring drama focuses on the crisis that erupts when Arendt discovers that her lover and former teacher is using his brilliance and fame to help further the goals of the Nazi Party.
* Denotes SGT Ensemble Member
About the Artists
Chris Hannan’s (Adapter, Crime and Punishment) work as a playwright has been produced by the Royal Shakespeare Company, the Old Vic, Shakespeare's Globe and the National Theatre of Scotland. His most recent play, What Shadows, opened at Birmingham Rep in October 2016 and was described by the Daily Telegraph as "the most provocative theatrical act of the decade." His 1990 play The Evil Doers was produced by the Bush Theatre in London and received a Time Out Award among other prizes, and in 1996 his highly-acclaimed Shining Souls won him a nomination for Lloyds Bank Playwright of the Year. In Scotland, he is best known for Elizabeth Gordon Quinn, which is widely studied and was re-mounted by the National Theatre of Scotland in the first year of its existence. In his plays, he often creates big central roles for women. The critic Joyce McMillan, writing in The Guardian, hailed Elizabeth Gordon Quinn as a "monstrous and magnificent heroine." The same critic described the central character of Shining Souls as a kind of Mother Courage cum Marilyn Monroe of the post-industrial wastelands and called the play a "funny and serious postmodern masterpiece."
Louis Contey (Director, Crime and Punishment & Hannah and Martin) marks his 23rd SGT collaboration with Crime and Punishment. For SGT, Lou has also directed The Heavens are Hung in Black ,The Tall Girls, In the Heat of the Night, A View From The Bridge, The Manchurian Candidate, A Streetcar Named Desire, All My Sons, Who’s Afraid Of Virginia Woolf?, Peter Pan, Les Liaisons Dangereuses, Warhawks and Lindberghs, Holy Ghosts, Judgment at Nuremberg, Requiem for a Heavyweight, The Whaleship Essex, Meet John Doe, The Lower Depths, Escape From Happiness, Real Classy Affair, Rocket to the Moon, Anna Karenina and Brilliant Traces. He has directed over 75 plays, among them The Master & Margarita, Marriage Play, The Diviners, A Midsummer Night’s Dream, Macbeth and Hamlet. He is an Associate Artist at TimeLine Theatre, where he directed Frost/Nixon, Awake And Sing!, The General from America, Lillian, Copenhagen, It’s All True, Pravda, Paradise Lost, A House With No Walls, The Apple Family Plays and The Price. He has also worked at The Goodman Theatre, Steppenwolf Theatre, Strawdog Theatre,Theatre at the Center, Buffalo Theatre Ensemble, Provision Theatre, Eclipse Theatre and American Theater Company. He is a twelve-time Jeff nominee and has received seven Jeff Citations, as well as an After Dark Award. He teaches part-time at The Theatre School/DePaul University where he received his MFA in Directing.
Will Eno (Playwright, The Realistic Joneses) is a Residency Five Fellow at the Signature Theatre. The Realistic Joneses had its premiere at the Yale Repertory Theatre. The Realistic Joneses was recently named as one of the “25 Best Plays Since Angels in America” by the New York Times and The Realistic Joneses and Title and Deed (Signature Theater) were both onThe New York Times "Best Plays of 2012" list. Gnit, an adaptation of Ibsen's Peer Gynt, premiered at the Actors Theatre of Louisville in 2013. Middletown, winner of the Horton Foote Award, premiered at the Vineyard Theatre and was subsequently produced at Steppenwolf Theatre. Thom Pain (based on nothing) was a finalist for the 2005 Pulitzer Prize and has been translated into more than a dozen languages.
Jeremy Wechsler (Director, The Realistic Joneses) is the Artistic Director of Theater Wit where he has directed the Chicago premieres of The Antelope Party, 10 Out of 12, Naperville, The New Sincerity, The (Curious Case of the) Watson Intelligence (Best of 2015 – Chicago Sun Times), Bad Jews (Best of 2015 – New City), Mr. Burns: A Post-Electric Play (Time Out Peoples’ Choice Award for Direction, Best of 2015), Seven Homeless Mammoths Wander New England (Chicago Sun Times – Best of Year 2014), Completeness, Tigers Be Still, This, The Four of Us, Feydeau-Si-Deau, Men of Steel, Thom Pain (Based on Nothing) (Jeff Award – Best Solo Performance), Two for the Show and annual favorite The Santaland Diaries. Under Jeremy’s leadership, Theater Wit has emerged as the go to destination for cutting edge contemporary work, gaining national recognition for excellence. He has directed over sixty shows in the last twenty years at various theaters, including Tragedy a Tragedy, The Flu Season, A Taste of Honey (“U.S. Best of 2008” in The Wall Street Journal), Now Then Again (Jeff Award – Best New Work), The Play About the Squirrel, The White Devil, This Is Not a Play About Cancer, Peer Gynt, The Real Thing, Szinhaz, The Duchess of Malfi, Tragedy a Tragedy, Titus Andronicus, The Roaring Girl, Flight, The Most Fabulous Story Ever Told, This Is the Rill Speaking, Hay Fever, A Month in the Country, Europe, Henry VI: Blood of a Nation, The Promise, Spin, Un Robot, Horror Academy, Kind Lady, Playing by the Rules, The Marriage of Bette and Boo, Solitaire, The Coarse Acting Show, Life is a Dream, The Prisoner’s Dilemma, Cabaret and The Threepenny Opera. His productions have been nominated for and won multiple awards for design, performance, adaptation and best new work.
Kate Fodor (Playwright, Hannah and Martin) is a 2013 Guggenheim fellow in playwriting. Her comedy Rx was produced Off-Broadway by Primary Stages and will had its Los Angeles premiere in January 2014. Her plays have also been produced by Playwrights Horizons, Epic Theatre Ensemble, San Jose Repertory Theatre, London’s Courtyard Theatre and Chicago’s TimeLine Theatre Company, among others. She has been a resident playwright at New Dramatists since 2008. Kate’s play Hannah and Martin received the Kennedy Center’s Roger L. Stevens Award, a Joseph Jefferson Citation, an After Dark Award and a finalist position for the Susan Smith Blackburn Prize. 100 Saints You Should Know received the National Theatre Conference’s Stavis Award and was nominated for a GLAAD Media Award, as well as being named one of the 10 Best Plays of the year by Entertainment Weekly and Time Out New York. The plays are published by Dramatists Play Service and have been anthologized and excerpted in a number of volumes from Smith & Kraus. Kate’s work has been developed at Steppenwolf Theatre Company, Hartford Stage and Centre Theater Group. She has been named one of “Eight to Watch” by The New York Times and has received commissions from Chautauqua Theater Company, Center Theater Group and The Playwrights’ Center, where she was the recipient of the 2011-2012 McKnight National Residency.
About Shattered Globe Theatre
Shattered Globe Theatre (Sandy Shinner, Producing Artistic Director; Doug McDade, Managing Director) was born in a storefront space on Halsted Street in 1991. Since then, SGT has produced more than 60 plays, including nine American and world premieres, and garnered an impressive 42 Jeff Awards and 106 Jeff Award nominations, as well as the acclaim of critics and audiences alike. Shattered Globe is an ensemble driven theater whose mission is to create an intimate, visceral theater experience that challenges the perspective of audience and artist alike through passionate storytelling. Shattered Globe is inspired by the diversity of our city and committed to making the theater available to all audiences. Through initiatives such as the Protégé Program, Shattered Globe creates a space which allows emerging artists to grow and share in the ensemble experience.
Shattered Globe Theatre is partially supported and funded by generous grants from The Shulman-Rochambeau Charitable Foundation, The James P. and Brenda S. Grusecki Family Foundation, Alphawood Foundation, The Gaylord & Dorothy Donnelley Foundation, The MacArthur Fund for Arts & Culture at The Richard H. Driehaus Foundation, The Illinois Arts Council, a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events, The Shubert Foundation, The Bayless Family Foundation, The Blum-Kovler Family Foundation, and The Robert J. & Loretta W. Cooney Family Foundation.
For more information on Shattered Globe Theatre, please visit www.shatteredglobe.org.
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